An example of Mulvey's male gaze theory in practise, is evident in Quentin Tarantino's critically acclaimed film; 'Sin City' (2005). Jessica Alba's character; Nancy, is the focus of male attention, due to the manner in which she is presented. Nancy is objectified through various camera and lighting techniques, dialogue, etc.
One way in which the male gaze occurs 20 seconds into the scene. A panning mid-shot, following the derriere of a faceless woman is utilised to position the audience in the shoes of a heterosexual man. Within this particular instance I believe that the woman's face is not revealed because it is not required to attract sexual focus, thus the woman is objectified to achieve the male gaze. The shots throughout the sequence remain medium close-ups, these focus on Nancy's torso gyrating to the music and then tilting up and down her body to replicate the gaze of the male. The shots of Nancy are also intercut with close-ups of the male character's faces as they stare at her whilst she is dancing.
Another instance of objectification in this scene, occurs when Nancy is first introduced into the scene. Nancy's body is fragmented through edge/rim lighting, to emphasise her provocative prowess.
Firstly, the camera pans over her upper legs/thigh region, revealing the tight leather attire she is clothed in.
High-key edge/rim lighting is implemented to draw Nancy's character away from the background; attracting further attention to her sexual appeal, whilst simultaneously satisfying the male gaze.
Tarantino aslo utilises slow motion shots within this film. at 52 seconds. In between thrusts, Nancy's dance is slowed down. Usually in film in conjunction to the male gaze, this technique is used to allow the audience addition time in which to be enchanted.
Nancy is objectified as she is portrayed as an erotic object, who's purpose is only to satisfy the sexual fantasies of characters in the narrative, and the audience.
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