This is my example on Rembrandt lighting. I have attempted to comply with the two basic principles associated with this lighting technique; ensuring that lighting is captured on one side of the face, thus producing a chiaroscuro (a triangular area of light; no wider than the eye and no longer than the nose, thats produced through shadows).
I achieved this by positioning the camera directly in front of my subject, with a light source angled at around 45°, with a reflector key light adjacent to the light source, to slightly illuminate some shadowed area.
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